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Penzance Then and Now: Market Jew Street and Chapel Street  (Part 1) – a blog by Sam Hill

Join our Photo Archive intern, Sam Hill for his latest blog, written during his time with us…

During my time exploring the Morrab Library’s Photo Archive, I have come across so many wonderful pictures of Penzance that can truly transport you back in time. As such, I thought it would be worthwhile to write the “Penzance Then and Now” blog post series, which will explore snippets of the town’s history using the library’s photo archive collections and some contemporary images I have taken for comparison. In our first instalment, I shall display a range of photos that show the history of Market Jew Street and Chapel Street.  

Walking up Market Jew Street is often a daily occurrence for the people of Penzance, with its cafes, shops, and pubs being frequented by locals. The street’s name, “Market Jew Street,” derives from the Cornish words for market, marghas, and Thursday, yow, which together made marghas yow and thus “Thursday Market.” 

 

Image 1 and 2- Train station looking up towards Market Jew Street

 Image 3 and 4- Albert Street looking up towards Market Jew Street https://photoarchive.morrablibrary.org.uk/items/show/22673 

 At the top of the street, the Market House towers over the main artery of Penzance. The space has been occupied by a market house and a guildhall since the Penzance Corporation bought the three-cornered plot of waste land in 1614. 

The current Market House is a replacement of the 17th-century counterpart, as the town’s corporations wanted to replace the old and inadequate building. The new Market House was the product of an architectural competition held by the New Corporation in 1835. The winner was H. J. Whiting, but the commission was given to William Harris. The building took two years to build and was officially opened by the Mayor, Richard Pearce, on 28th June 1838, on the day of Queen Victoria’s Coronation. 

Image 5, 6 and 7- Around the top of Market Jew Street  – https://photoarchive.morrablibrary.org.uk/items/show/22829 / https://photoarchive.morrablibrary.org.uk/items/show/22789

 Images 8 and 9  

 Images 10 and 11 

The adjoining street, “Chapel Street”, derives from the Chapel of St. Mary, not from the Methodist Chapel erected on the street in 1814, which is often assumed. The street is named as “Our Lady Street” in 1549 and “Lady Street” in 1665. 

 Image 12, 13 and 14 

In the 18th century, the street began to reflect the period of steady growth of the town through the construction of various attractive buildings. These buildings were unique for the area as they were built in brick with granite dressings, with good examples being No.15 “Crownley”, No.16 “Trevelyan Hotel”, No.18, No.19, No.20 and No.45. 

Image 15 and 16 

Image 17 and 18 

Much of Chapel Street building was undertaken in the latter 18th century, but the main front of the Union Hotel is early- 19th century stucco, with fluted Ionic pilasters and volutes. Nowadays, Chapel Street is one of the many jewels of Penzance, and is the home of a range of amazing shops, pubs and eateries.  

I hope you have enjoyed looking through some of the amazing photos of Penzance held at the Morrab Library. It is impossible to cover all the areas of Penzance, but if there is a place you are particularly interested in, then please do contact the Morrab Library Photographic Archive collection or visit the website to search the archive online: https://photoarchive.morrablibrary.org.uk/

Maritime Communities and Meeting the Creatures from the Deep – a blog by Sam Hill

Here is the second in a series of blogs written by our Photo Archive intern Sam Hill. Read on to discover more about the relationship between humans and marine creatures, told through our photographic collections.

Warning: This blog features images of marine animals in distress.

The maritime communities of Cornwall are no strangers to creatures of the deep. For centuries, brave fishermen have spun yarns and stories of mermaids, sea serpents, and spectral ships, but what happens when these creatures are captured on film and preserved in the archive?

Okay, I would be lying to you if I said that mermaids and sea monsters had been captured on camera.  But Cornish men and women have faced REAL monsters of the deep. This blog will use photographic evidence to explore the various ways maritime communities interacted with “creatures of the deep” and what this can reveal about their relationship with marine wildlife.

One of the major means of interaction is through fishing. The fishing industry was primarily concerned with pilchards, mackerel and herring, but in many cases, larger animals were also caught. This is apparent in image 1, as the photo encapsulates how a hardy Cornish fisherman has reacted to capturing such a huge lobster- by stoically scowling and smoking a cigarette (presumably to calm his nerves!).

Image 1: Fisherman Holding a Large Lobster, 1911-30. https://photoarchive.morrablibrary.org.uk/items/show/11276

In some cases, fishermen revelled in the opportunity to pose with creatures captured at sea. Image 2 displays the sheer pride of the men capturing a Blue Shark along the coast. The capture of these creatures of the deep caused additional logistical problems for fishermen trying to get their catch to market, with Image 3 demonstrating how a large sturgeon caused a hand-drawn cart to be hauled by three able workmen!

Image 2: Captured Blue Shark held by Crewmen, 1934. https://photoarchive.morrablibrary.org.uk/items/show/11287

Image 3: Men with Sturgeon, 1936 https://photoarchive.morrablibrary.org.uk/items/show/11297

A second, yet unfortunate way these interactions occurred was through animals becoming stranded on Cornwall’s beaches. The use of photography to capture these events reveals the morbid curiosity of people to examine the appearance, size, and number of creatures that washed up on nearby shores.

Image 4: Group Looking at Basking Shark, Lighthouse Pier, Newlyn https://photoarchive.morrablibrary.org.uk/items/show/11280

Image 5: Crowd, beached whales Eastern Green Beach https://photoarchive.morrablibrary.org.uk/items/show/11266

This curiosity is vividly captured in Images 4 and 5. In both photographs, well-dressed crowds gather to observe the fate of a pod of whales and a basking shark. This fascination a nd the event itself led to the stranded whales being depicted in the postcards shown in Images 6 and 7.

Image 6: Postcard, Whales Stranded in Mounts Bay https://photoarchive.morrablibrary.org.uk/items/show/16793

Image 7: Postcard Whales Stranded in Mount’s Bay https://photoarchive.morrablibrary.org.uk/items/show/16792

A further way in which communities interacted with such animals was through the imagination of local people. This links back to the yarn-spinning of yesteryear, but the technology of the 20th century encapsulated how people created and showed off these so-called “creatures of the deep.”

A so-called “shark” was presented to a puzzled yet intrigued crowd on a beach in Image 8. The image shows how a group of fishermen or sailors clearly saw a humorous opportunity to carve a piece of driftwood to appear as a captured basking shark. This type of hoax was repeated years later, as Image 9 shows a proud group of men holding a very strange animal “captured” from the deep.

Image 8: Group of People Looking at a Wooden Shark https://photoarchive.morrablibrary.org.uk/items/show/18606

Image 9: Men Holding Wooden Shark https://photoarchive.morrablibrary.org.uk/items/show/20140

The use of the Morrab’s Photo Archive reveals the various interactions that maritime communities had to the maritime wildlife of the area. The photographs’ ability to capture the visual reactions, the fascination, and the imagination of people of these intriguing occurrences are very important for understanding how our own reactions to such animals have been shaped.

If you are interested in marine wildlife, maritime communities, or photographs more generally, I would implore you to take time to look through the Photo Archive held by the Morrab Library, all available to search for free via their website: https://morrablibrary.org.uk/photo-archive/

Sam Hill

My three-month work placement at Morrab Library, by Samuel Hill

 

Hello readers!

My name is Samuel Hill, and I’m a History PhD student from the University of Exeter. As a requirement of my PhD being funded by the ESRC SWDTP (Economic and Social Research Centre Southwest Doctoral Training Program), I have the requirement of undertaking a three months’ work placement within any institution of my choice  – with my choice being Morrab Library!

My main historical interests are the social history of the southwest, with my thesis exploring the lives of maritime communities in Devon, Cornwall, and the Isles of Scilly between 1750 and 1899. My thesis is exploring the various acts of resistance like smuggling, wrecking, and food rioting during times of social and economic hardship.

The reason I chose the Morrab Library for my work placement was simple. Throughout my studies, I have made numerous trips to Penzance to use the library’s broad collection of historical documents and books. Like many who use the library, I have a great fondness for the library’s incredible building, gardens, and the amazing staff who have always made me feel very welcome and supported!

My role within the library will see me work within the Morrab’s Photo Archive. The archive possesses over 17,000 photos from the local area and beyond, and it beautifully details a wide range of subjects including agriculture, community life, hobbies, leisure, working lives, schools and youth groups, transport, and even a good section on cats!

 

Fortunately for me, the Photo Archive possesses a broad range of photographs that beautifully illustrate the lives of maritime communities within the region. My role will be to continue to update the tags and descriptions of the collection, with my particular focus being on the fascinating range of shipwreck photos. During my time here, I will be writing blogs, an article, and deliver a talk that uses the photographic evidence to illustrate the lived experiences of these unique communities.

I hope that these blogs are of particular interest to visitors of the library and that the photos you see within the blogs inspire you to have a look at the collection! You can view them here via this link: https://morrablibrary.org.uk/photo-archive/

The Photo Archives team are available to visit in the library on Thursday mornings between 10.00am and 1.00pm, so drop in to say hello and find out more about the collections.

Adventures in the Photo Archive – more than just scanning photographs!

This blog comes from one of our dedicated team of volunteers who work in the library’s Photo Archive. David and his colleagues are the people who scan and provide context to the thousands of images that end up on the Photo Archive website ( http://photoarchive.morrablibrary.org.uk/ ), available for you to peruse and enjoy. David has given us a brilliant insight into his role as a volunteer, but also reveals his brilliant piece of detective work in identifying one particular image – an act of perseverance and detective work which would put Sherlock Holmes to shame….

I volunteer in the photo archive as part of a team and see this as a great privilege to work in this wonderful library. This work is like no other; there is no pressure other than to carry out the task with great care, archive many photos, negatives and slides so that they are preserved forever. Preservation sleeves are used to protect them before they are put into conservation boxes for storage.

The room that I work in is new with views across the gardens – a lovely environment. As I sit at my desk, I have a PC and a scanner which must talk to one another if the photo is to arrive in its place in the digital collection. Once logged on then the process begins. This involves allocating a collection number to the photo before it is scanned. The computer programme allows me to add the data such as description, date, location, name of person or group. If it is a ship then the name and date is useful information. A facility also allows me to pinpoint the location on a map if known.

This is the easy part if the information pre-exists but often the process involves searching like a detective to identify the aforementioned essentials. I use books and the internet but there are also many photos in albums which have information about places and dates. All of this takes time but is very enjoyable. If the photographer is named then a search can provide interesting information about their work which is then added.

Fashions in clothing are always changing and it is interesting whilst compiling a collection, to note how fashion changed from the Victorian age and into the Edwardian era. Clothing becomes lighter and less dark and heavy. Women must have found life much easier. It is fascinating to find a detail written on the back of a photo, perhaps a date or a message to the recipient often encountered.

Currently I am working on a collection of miscellaneous photographs which are quite small, in an album with no information whatsoever. I had two photographs of a ship which, through using a magnifier I was fairly sure was in Penzance moored along the quay and the same ship in another photo moored alongside buildings. I needed to find out about this ship so I spent time at home searching for three-masted cargo ships with a white hull. Eventually I found information which identified it as the Leon Burau shown below. Using a magnifier, I identified the ship from the rigging and the shape around the bow. The additional information about the ship was then added to the data page, which will soon appear on the record accompanying the image on our website. Its story is fascinating and a summary follows below.

Morrab Library image: HARB 14HF 053

 

 

 

 

 

 

On the 18th of June1909 Alfred Vingoe was returning to Penzance in his pilot boat when he noticed that a large sailing ship was low in the water and flying distress flags. He and his two crew members sailed over to the craft which was the “Leon Burau” to find that the ship had been holed on a rock off the Scilly Isles and was fast taking in water. Climbing aboard Alfred told the captain to put on full sail, and when this was done Alfred piloted the ship into Penzance where he beached her just outside the harbour. The next day was a Sunday and people were amazed to see this fully rigged sailing ship ashore just outside the harbour entrance. Alfred arranged for most of the cargo to be discharged into small ships and then at high tide the ship was towed into the harbour to be repaired. A full account of the rescue is given in the “Cornishman” newspaper.

I was then able to identify that the ship in my photo was moored opposite what is now the dry dock in the harbour.

Just to add more interest an unidentified painting of this ship hangs in the photo archive painted by the Morrab Library benefactor Denis Myner. Further research identified the painting from an original photo as being part of the Richards collection. I then added the information to that photo on its web page identifier.

Painting by Denis Myner.

 

 

 

 

 

 

 

 

 

This is just one example of identifying a photo.

At the end of the day, I am usually left with a feeling of satisfaction in having made good progress but also knowing that many interesting searches lie ahead.

David Sleeman

If David’s blog has inspired you to consider volunteering with us in the Photo Archive, please get in touch with the library. You can email photoarchive@morrablibrary.org.uk  or call the library on 01736 364474.

Row Boys Row

Cornish male vocal group, the Bryher’s Boys, recently collaborated with Morrab Library to create a video for one of their recordings. Using evocative images from the Library’s extensive historic Photo Archive, they were able to capture the essence of their song in pictures, and they’re delighted to share the finished product with us. The story follows below…

 

How did this video come about?

Bryher’s Boys are a busy Cornish male vocal group so the restrictions of the Covid Crisis have hit us hard! We’ve adapted by producing our own videos, both for our fans and, sometimes, to use in place of planned live performances which could now not take place. The Morrab Library Photo Archive was invaluable in helping us with a video we were asked to produce by the organisers of Yn Chruinnaght – The Celtic Gathering, a festival we’d been invited to represent Cornwall at in the Isle of Man. The song we chose – Row Boys Row – is all about Cornish maritime heritage, and the history of pilchard fishing here, so we wanted to marry the music with some images which would evoke that period. Thanks to the Archive’s 10,000+ photos covering many elements of vintage Cornish life – all available and searchable online – we were able to assemble a series of images to summon up that era, which perfectly complement the song. We’re very grateful to the Library for permission to use this resource which has helped disseminate this little piece of Cornish heritage to an audience of thousands, worldwide.

Backgrounder for Bryher’s Boys

Bryher’s Boys formed back in 2017 when the Tenor and Bass sections of several Cornish choirs were press ganged to form a new crew especially designed to navigate the choppy waters of Sea Shanty singing!

Their collective love of the established folk repertoire, both Nautical and Cornish, proved an immediate hit with West Cornwall audiences, clocking-up almost 200 performances to date in venues as diverse as private parties, weddings, crowded pubs, festivals, community events, large scale concerts – even aboard the Royal Fleet Auxilary ship Lyme Bay!

Although firmly rooted in the male vocal tradition, their trademark style of free harmony ensures that no two performances sound exactly the same.

Named after bandleader Trevor Brookes’ youngest daughter, Bryher, the Boys do not hail from the Scilly Isle of that name, but come from all over West Cornwall, from Newlyn to Truro.

The group are proud to have been selected to officially represent the Duchy of Cornwall at Europe’s largest music festival, Festival Interceltique Lorient, in 2019, taking their unique mix of Traditional Cornish songs, shanties and shaggy dog stories to a new audience of more than 800,000 attendees, singing to 9,000 people at a time!

Last year, they recorded and released their first CD, The Ballad of the Boy Jacq.

Christmas Craft Fair – this Saturday 16th November

Don’t forget our Christmas Craft Fair will be held this Saturday from 10.30 am to 2.00 pm. We will be jam-packed with stalls showcasing a variety of beautiful crafts including ceramics, knits, cards, art, woodwork, books and more. Images from our Photo Archives will also be on sale. First prize in our raffle is a wonderful Christmas cake and we’ll have a Tombola too. And of course, our delicious refreshments will be available to enjoy. We really hope to see you there.