Faye Dobinson is our new Artist in Residence

We are delighted to announce that Faye Dobinson is our new Artist in Residence.  Her residency at Morrab Library is titled ‘Community Power Structure’, a phrase she borrowed from a book cover she spotted while visiting the library recently.

She says: “I was drawn to the cover of a book for its formal qualities – the colour, the typography, and the illustration. The 1953 cover will be the visual starting point for my residency.”

She adds, “I realised the title of ‘Community Power Structure’ contains three threads of interest that run through my art practice. These will act as both the activation point and the scaffold for the artwork that I make in my time at the library.”

Faye is a South East London born and West Cornwall based multi-disciplinary artist, activist and educator. She is an artist, curator, a Celebrant and also leads ‘Defining Practice,’ a yearlong practical based art mentoring course at The Newlyn Art School. She is passionate about art and creativity’s role in creating conversation, community, and heart led change. The relational aspect within her work has resulted in her exhibiting and teaching in Mongolia, exhibiting and working with artists in Tibet, helping open Europe’s first Contemporary Tibetan Art Gallery in East London, ‘The Sweet Tea House’ and saw her implementing ‘The Jupiter Project’, a space of possibility for artists and creative that was based at Jupiter Gallery in Newlyn and finished in April 2023.

She lives in Penzance, UK, with her daughter. We asked her when she first remembers coming to the Morrab Library and what her memories are of the library from that time.

“I first visited Morrab Library late 2019 when I moved into town after living in Phillack (Hayle) then Perranuthnoe for 12 years. I was astonished at the tangible peace, the active and alive stillness of the place. It vibrated with all the words and thoughts contained within it. I felt that Lisa and her staff had made a special place even more potent.”

Faye works in a range of disciplines including painting, drawing, printing, site-specific work and assemblage, and has travelled widely to meet other creative communities and look at the role of art in their lives. This socially engaged practice has run through her 25-year career, finding form in leading a wide range of creative projects in London with disaffected young people, working with children with emotional and behavioural problems, within her teaching and also in her own artistic output that asks questions of culture, power and love.

Faye says: “I will be using different artistic processes to let the space of the library unpack around me: the architectural space, the library as a container of meaning, as a space for the community and as a loved space, special to me and many others”.

We asked her why she wanted to be Artist in Residence at Morrab Library.

“I wanted to bring the different approaches of my artistic process to this wonderful building – to celebrate it through the act of tenderly paying attention.”

Faye has already begun creating artwork inspired by the library which you can have a look at on @communitypowerstructure. The first few pieces draw attention to some of the lesser spotted details of the rooms, such as the locks and escutcheons.

“Artist in Residencies create an opportunity for a place to influence and inspire an artist and for that artist to represent the place back to the community. It is a beautiful feedback loop!

I appreciate the very special space that it offers, the sense of community that it forges. My work is an active memorialising of this special community space: not in a solemn, static sense but, I hope, in a celebratory ‘alive’ sense.

 

I hope to bring a loving quality of attention to the details of the library – the idiosyncrasies and particulars that, for me, create a portrait of the place. I will be noticing what I notice and chronicling that. To me a place can be explored through myriad artistic processes and through that, different facets of the space can be revealed as it begins to unpack through the details of the sounds, smells and sights. I hope to help the often quiet and unseen be noticed and appreciated.”

We’re thrilled to be hosting Faye until November 2023 and you may spot her around the library over the course of the next few months, gathering inspiration and creating pieces.  She will be exhibiting the work created during her residency in the library in January 2024.

@communitypowerstructure

www.fayedobinson.com

 

IMPORTANT INFORMATION ABOUT CAR PARKING AT THE LIBRARY.

 

We need to share some important news about car parking over the next few weeks. The Honorary Health and Safety Officer, on behalf of the Trustees, has arranged for the external building to be painted and redecorated over the summer. This means that scaffolding will be erected around the entire building for the duration of the works.

As typical of works involving scaffolding, we do not have an exact date for the work commencing, but we have been informed that the scaffolding could be put up as early as the 23rd  of June, but more likely the week beginning the 26th of June. Until it is up, we won’t know how much of an impact it will have on access to all of our parking spaces. Some may be restricted for the entirety of the project, but we do not know as yet.

We do know for now that the painters have recommended that while they are refurbishing each side of building’s front that parking be avoided for that period, to reduce the risk of your car getting a new coat of paint! We know the work to paint commences from 3rd July, but we do not have any indication of how long it will take to finish each of these sections. We will provide updates as we find out more.

The work is estimated to take up to two months in total before the scaffolding is subsequently removed.

Ideally, it would be very helpful if you could avoid parking at the library entirely during this period if possible, so we can ensure those who need it the most can be guaranteed access.

But at the least, may we recommend throughout this period that you phone ahead if you need a car park to access the library and we can inform you of the state of play on the day you require it.

We’re sorry we can’t be more definitive at this stage, and we hope to have more of a steer as the work commences, but we wanted you to know in advance of potential limitations and inconvenience the works may cause.

So please get in touch with any queries, and we will do our best to accommodate and support your visit. At the end of this, the library will be looking beautiful and refreshed! Thank you for your support, as always.

Best wishes from the library team and Trustees.

Help Us Create Our Penwith Futures Book

 

Over the past year you may have seen our Penwith Futures Book postcards and posters in the library and while you’re out and about. We really hope you’ve pinned them to your noticeboard, popped them on the fridge or tucked them inside your bedtime reading as bookmarks, but most of all we hope that you have been mulling over your ideas to contribute to the ‘Penwith Futures Book’.

We’ve received some brilliant submissions so far and lots of interest from members – thank you all – but if you haven’t sent anything in yet we would like to encourage you to put pen to paper and send us your ideas.

As a quick reminder, or a brief introduction for our new members, here is a bit of information about the book and answers to some of the questions you may have…

What is the Penwith Futures Book? 

The Penwith Futures Book will be a compendium of your brightest ideas for the future of our local area. We would like you to imagine and then write down what a more environmentally friendly and socially just future could look like locally. We’ll put it all together into one big beautiful book for all to read.

What should I write? 

There is no right answer. The entries we have received from people so far have been a personal representation of what really matters to them – reflecting on what they love about living in Penwith, the things they cherish about the landscape, our community and the history of this special corner of West Cornwall – as well as looking hard at some of the problems we’re facing due to the climate crisis.

They have shared their hope and visions for the future – including greater access to nature for all, Cornish lessons for school children, and plastic-free beaches – and given ideas to help steer us there too.

Do you have any examples of other people’s entries to help inspire us? 

Here are a couple of excerpts from entries to give you some ideas:

“The rivers and ocean are sewage free thanks to strong government intervention and composting toilets are being installed in all new homes. Now wildlife and people can swim in peace.  Several Tidal Power hubs float gently in the distance of Mount’s Bay generating enough clean electricity to power over 10,000 homes without pollution or waste. Windmills proudly stand in the Bay contributing to the
sustainable electricity supply.” 

Rich Stever, Founder and Chair of the registered start-up charity, Earth’s Green Guardians (EGG) based in Cornwall, UK.  

“How great would it be if Penwith could lead the way in teaching Cornish to an entire generation? To reclaim our forefathers’ language and give its gift to the youngest in our community for them, in turn, to pass on to subsequent generations. To watch the Cornish language flourish beyond the coasts and moors of Penwith.”

Kensa Broadhurst, PhD student.

How can I send in my ideas?  

Your entry can be typed or hand written in any style. It could be in bullet points or rhyming couplets, in comic book frames or scribbled jottings, a typed paragraph or spider diagram. We want it to be representative of the people of Penwith, expressed naturally, so please be as creative as you like, adding illustrations, doodles, artwork, maps or photographs to help communicate your ideas.

We only ask that you keep your entries to under 400 words (or up to A4 size if submitting any artwork) and that you submit them by the end of April 2023 either by dropping them in to the library, posting them (Morrab Library, Morrab Gardens, Penzance, Cornwall TR18 4DA) or emailing them to harriet@morrablibrary.org.uk. Please include your name and contact information with your entry so we can chat to you about it.

What if I know some people who are not Morrab Library members but who might like to give their ideas for the book, can I share this with them?  

Absolutely, yes!

Perhaps you’re a member of a local history society, or you’re part of a home-schooling group, a bunch of ramblers, a litter-picking tribe, a crocheting club or a choir. We’d love to hear from organisations too.

If you are part of a group that you think would like to share their ideas for the book, please encourage them to get in touch with Harriet (harriet@morrablibrary.org.uk) for more info.

You can also download our poster if you’d like to share it with friends and organisations locally or on social media to help us spread the word.

 

Mrs Borlase’s ‘minced Pyes’

Charlotte MacKenzie is currently researching Cornish legends and historical individuals, including healthcare and folk customs in Georgian Cornwall. She popped into the Morrab Library in the autumn to use our Archive for some of her research. Along the way, she encountered Mrs Borlase’s recipe for ‘Minced Pyes’  and Charlotte has kindly written a blog for us about them.

One of the hidden treasures of the Morrab Library is a manuscript recipe book compiled by the Borlase family at Castle Horneck. Which includes a recipe for ‘minced Pyes’.

To make minced Pyes

Take Eggs & boyle them very hard when cold then mince them very Small, to one pound of Eggs two pounds of beef Suett one pound of Currants & ye Same Seasoning as you doe to your other minced pyes.

Charlotte’s photograph of Mrs Borlase’s recipe for ‘Minced Pyes’ which can be found in the Archive collection at Morrab Library

The quantities for the mincemeat filling suggest the household at Castle Horneck got through quite a lot of minced pies.

The book as a whole is of interest partly because it contains recipes and advice on family healthcare and first aid. Caring for family health, ailments, and illnesses was considered part of household management, which might also include attention to the well-being of horses or livestock. The Borlase family book was not unique. Recipe books like that of the Borlase family were mostly kept by women, whose responsibilities for family and household management included healthcare. And all kinds of recipes were sometimes shared between women in their family and social circles.

The book is organised as collections of recipes. For coughs, colds, fevers, headaches, itches, and digestive disorders; and first aid for scalds and cuts. The recipes were intended to relieve acute symptoms and promote healing, and did not include general pain relief. Information about whether and when recipes were prepared and applied is lacking. Some entries have an annotation that the recipe came from a named individual, including some prescriptions by medical practitioners, or were copied for possible future use from published books or magazines.

The book includes one recipe for a topical application for the head to cure ‘madness’; and many concoctions for ailments at every life stage and in different parts of the body – from sore nipples (presumably of nursing mothers) to steadying giddiness in the head; as well as a small number of prescriptions from medical practitioners. Plus other household requisites such as how to make ink and hair dye, and recipes for horses.

Although the Borlase family could afford to consult medical practitioners – and sometimes did – Cornish recipe books confirm that households were partly self-reliant in managing health and illness.

It is an approach which can be seen in the writings of William Borlase, whose brother Walter’s family had lived at Castle Horneck. In the 1760s, the health of William’s wife Anne improved, and he wrote to a friend, the Cornish born physician William Oliver in Bath, that ‘Our only physick for the last year has been no other than the air on the beach below the house, where we daily make our almost only visits, and pick pebbles’. After being widowed, Borlase later wrote that his own prescription for health in old age was to ‘read, write, and ride’.

A fascinating glimpse into early Cornish Fiction

Library member and PhD student, Kensa Broadhurst, has delved into the world of early Cornish Fiction, and uncovered some delights you may wish to explore yourself….

A range of historic Cornish Fiction titles

Over the past year I have been working my way steadily through the Cornish fiction collection in the Jenner room. I should perhaps clarify this a little. I am currently in the final stages of a PhD researching the use of the Cornish language between 1777-1904. As part of this research, I was interested to see if any of the novels written in or about Cornwall pre-1904 either mention the language or use Cornish words. This meant I was interested in reading any of the novels in the collection with a publication date before around 1910. There are some novels in the collection with no publication date in them. To be on the safe side, I did borrow these. Often it was easy to tell if the novel must have been written later in the twentieth century through the context.

These criteria meant I could avoid the shelves full of the works of Daphne du Maurier and Winston Graham, but it has still taken me the best part of year to work my way through the relevant books from the collection alongside my other studies. This may give you some idea as to the size of the Cornish fiction collection housed in the library (I’m a quick reader!). Although there are novels by authors who had been inspired by a visit they had made to Cornwall, many of the books are by Cornish authors and are specifically based in West Penwith.

Unsurprisingly for novels set in West Penwith either in the nineteenth century or earlier, several themes emerge: Methodism, mining, smuggling and wrecking feature heavily, alongside many tales of unrequited love and quite a few mining accidents. For people interested in the social history of Cornwall in the nineteenth century, these novels are a real treasure trove. There are also several novels which detail the adventures of young girls who are shipwrecked on the Cornish coast, rescued, and grow up unaware of their true identity, only for everything to be resolved perfectly at the end with a hugely coincidental reveal! A couple of examples of these include Mona the Fisher Girl by H.S. Streatfeild and Beatrice of St Mawse [no named author].

Cover page of Beatrice of St Mawse

There are novels by well-known novelists such as Deep Down by R.M. Ballantyne, the Scottish author best remembered for The Coral Island. He came to Cornwall to research tin mining for this novel. There are also many novels by the Reverend Sabine Baring-Gould from Devon. He was  well-known as a writer of hymns and served as President of the Royal Institution of Cornwall. Examples of his novels include Guavas the Tinner and The Crock of Gold. Famous Cornish novelists such as Katharine Lee, the Hocking siblings, and William Sandys also feature prominently.

A page from Queen of Queen's Guards

So would I recommend a delve into nineteenth century Cornish fiction as a change from your usual reading fare? There are some gems to be discovered. If you like an adventure story filled with derring-do try Queen of the Guarded Mounts by John Oxenham which is set on St Michael’s Mount and Mont-Saint-Michel during the French Revolution.  If you want a bit of romance in the Cornish landscape, there’s Kynance Cove by William Bentinck Forfar. For some insight into life in Cornwall at this period see E.A. Bonham’s A Corner of Old Cornwall or Mrs Havelock Ellis’s My Cornish Neighbours. Or perhaps just show some neglected books some love – in many cases I was evidently the only person who had borrowed these novels for decades!

Patricia Eschen Prize for Poetry 2022 – Winners announced!

We have now announced the prize winners for our inaugural Patricia Eschen Prize for Poetry 2022.  The international poetry competition garnered entries from across the U.K. and around the world, with the top prize of £1000 in the adult competition awarded to Camilla Lambert, a poet and retired NHS Manager from Arundel, West Sussex (U.K.), for her poem ‘Gifts from a Lithic Lover’.
Our pair of brilliant judges, Katrina Naomi and Penelope Shuttle, read over 3000 poems submitted across the adult’s and children’s categories and selected a shortlist of 22 poems in the adult’s category and 8 in the children’s category. 

Penelope Shuttle described the process as a “fascinating and educative experience” and went on to say that “reading the poems was exhilarating and often profoundly moving.” 

Katrina Naomi added: “When I begin reading through entries for a competition, I never know what I’m going to find. I’m looking for poems that needed to be written, poems with verve and imagery and power. I kept reading, and every now and then a poem would jump from the pile of 3000 and into my head and my heart. Penelope and I read and re-read our longlist. We read the poems to each other, scored them, discussed them, and read them again. Slowly out of all of these entries, the winners emerged, shining, asking to be heard. Congratulations to everyone shortlisted and a huge well done to the winners. This is quite an achievement.”

The poems were judged anonymously, so the judges were excited to discover that they had chosen such an international shortlist with poets hailing from all over the world, as far afield as Christchurch (New Zealand), Lagos (Nigeria) and Florida (U.S.A) with plenty of poets from across the U.K. too and one of the shortlist a Morrab Library member from Penzance. 

 

We thought we’d tell you a little bit more about the competition winning poets and also share clips of the poets reading their winning poems in their own voices at our hybrid event which took place at The Exchange in Penzance earlier this month.

Camilla Lambert

Camilla Lambert was awarded first prize for her poem ‘Gifts from a Lithic Lover’. You can read the poem here or watch Camilla reading her poem here.

Cornwall has been a major source of inspiration for Camilla’s writing, stemming from time spent over the years with family on both the north and south coasts of Cornwall. This was reflected in her winning poem and Katrina Naomi introduced the poem by saying: “This poem does some amazing things around love, around geology, around the days of the week. It makes me think of a week very differently to how I used to think of a week. There’s so much imagination. There’s a bit of Cornwall, alongside places all around the world in this poem. It’s very imaginative and shows real ambition. And for Penny and I, it was a clear winner”.

She began writing poetry in 2007 on retirement from being an NHS manager. Since then she has had individual poems published in poetry journals, organises an arts festival in Sussex and had  her pamphlet Grapes in the Crater published in 2015. She is now working on her full collection.

Marjory Woodfield

Second prize was awarded to Marjory Woodfield from Christchurch New Zealand for her poem ‘Sails Catch the Wind’. You can read the poem here or watch Marjory read the poem here. As Marjory explained at the awards ceremony, the prompt for her poem was a bowl from a shipwreck with a gazelle on it which was  found by the husband of her former landlady in Singapore, a shipwreck diver.

Penelope Shuttle introduced the poem at the event: “Here we have a lyric poem, beautiful and delicate as the Chinese porcelain, whose journey from raw clay to finished, painted bowl, is beautifully described. There’s a lost ship. There’s porcelain fished up from the sea. There’s the painted gazelles on the bowl. This poem […] conveys the vulnerability and beauty of the world and, by lovely implication, all of us here on earth”.   

Marjory is a writer and her flash fiction, poems, and articles have appeared in The BBC, stuff.co.nz as well as literary journals and anthologies. She won the New Zealand Robert Burns Poetry Competition (2020) and the NZSA Heritage Poetry Award (2022).

Anna Remennik

The third prize winner in the Patricia Eschen Prize for Poetry 2022 was Anna Remennik from California (U.S.A) for her poem ‘Kyiv, spring 1986’. You can read the poem here or watch Anna reading the poem aloud here. 

Anna grew up in Soviet-era Kiev (now Kyiv, Ukraine) and is now a chemical engineer working in Silicon Valley. She enjoys writing poems about automatic titrators, technical supply chain processes, and occasionally even more fantastical things. 

Penelope Shuttle introduced the poem at the award’s ceremony:  “Here we have a poem that uses form with a practised, unobtrusive grace, and handling a difficult theme with the same grace. This is a retrospective of the Chernobyl disaster seen at a distance, yet with immediacy and iit speaks throughout of our world’s fragility while the title echoes forward to Ukraine’s present predicament”

Anna added: “Although I wrote this poem a couple of years ago, it’s been especially in my mind with everything that’s going on currently”.

Children’s competition:

Penelope and Katrina were both truly “wowed” by the quality of the poems in the children’s category. 

Penelope Shuttle said “The standard of the children’s poetry was exceptionally high. Well done all! And congratulations to the teachers for giving their students, however young, deep access to the imagination, and the power of articulation.”

 

First prize was awarded to 14 year-old Katie Geng for her poem “Dear Mother, from your Daughter”. At the awards ceremony, Katrina commented it was an “amazing poem” and she hopes Katie will “continue writing poetry and look[s] forward to seeing [Katie’s] name in books in time to come”.  You can read Katie’s poem here

The children’s competition received over 200 submissions and the judges were so impressed by the calibre of entries that they decided to appoint joint second and joint third prize winners, generously supported by the Dennis Myner Trust. 

Dexter Warburton, aged 13, won second prize for her poem called ‘A Boy Talking To A Robot In The Future About Where He Lives’ which you can read here. Caterina Williams was awarded joint second prize for her poem ‘The Flow of Words’, which you can read here

The judges loved the form of the joint third prize winner, 7 year old Ziva Patel’s poem, ‘Refugees’ which you can read here. 9 year old  Benjamin Williams, younger brother of Caterina Williams, was the joint third prize winner for his poem ‘Nonsense Safari’ – the judges particularly loved the rhymes in this poem which you can read for yourself here  

Morrab Library’s Librarian, Lisa Di Tommaso, has been delighted by the huge (and somewhat) unexpected response to the inaugural competition. “Welcoming entries from across the world, as well as locally, has been very exciting, and gave us the opportunity to host the Library’s first ever live, international hybrid event. It’s been a joy introducing our library to a wider audience.”

You can read many the highly commended poems, in the adult’s and children’s category, on the website here 

Morrab Library, The Dennis Myner Trust and our judges would like to congratulate all of the shortlist poets and say a big thank you to everyone who took the time to enter the competition!